These photographs emerge from a personal and intuitive journey through the boundaries of photography. Rather than merely capturing moments, I seek to open inner spaces where light, color, and time become independent presences. For more than twenty years I have worked as a film colorist, and throughout this period forms have gradually receded into the background for me, while color, tone, and the relationships of light have become primary modes of perception. Within this series, the rhythm of music, the harmonies of choral sound, and the material presence of analogue technique exist alongside the influence of cinema. In contrast to digital image noise and the increasingly manipulated nature of contemporary visual culture, I search for a slower, more concentrated, and more authentic creative process through analogue photography.

For me, photography is not documentation, but dialogue: a meeting point between vision and perception, light and inner memory. Each image is the imprint of a long, time-shaped process in which technique is not an end in itself, but a means of approaching an essential experience. Creation, for me, offers the possibility that the viewer becomes not merely an observer, but a participant within the inner space formed by the image.
Compared to my earlier works, this series has led me toward a new way of seeing and thinking. It is not a departure from my previous practice, but rather an approach from another direction — toward a quieter, deeper, and more personal experience. The title Second Approach reflects this inner shift in perspective.